She advised us that a truly great director could dissect a cheap porno, find a new idea, and exploit it to make a cinematic masterpiece. Both groups use similar tools – they point cameras at subjects interacting with one another on some level and their finished products tell some semblance of a story via a projected surface – but because of stigma attached to one another, the two schools tend not to freely exchange ideas with one another. I once had a film professor who taught me that the great thing about the porn industry is that it isn’t the film industry.
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